Hull Truck Theatre – until 12th September 2026

Reviewed by Dawn Bennett

5*****

Hessle Theatre Company has a real knack for staging brilliant shows, and last night’s performance at Hull Truck Theatre was no exception. Although this was an amateur cast, the level of professionalism was outstanding.

Dear Evan Hansen is not always an easy watch. The production explores suicide early on and follows the consequences of a tragedy that allows one lie to spiral out of control. It also shows how social media can distort a story, amplify emotion and blur the line between truth and perception.

Liam Hatt gives a brilliant performance as Evan Hansen. He brings real presence to the stage and captures the complexity of the character with confidence and sensitivity. He is undoubtedly a talent to watch.

The supporting cast were outstanding throughout. Joseph Walker gave a compelling performance as Connor Murphy, capturing the character’s snarling indifference and aggression with just the right balance of intensity and restraint. Jamie Wilks and Sarah North brought real compassion to their roles as Connor’s parents, Larry and Cynthia. Their performances conveyed the pain, confusion, and heartbreak of trying to understand what had happened to their son. Hannah Bedworth was equally strong as Connor’s sister, Zoe, bringing skill, and sensitivity to the role. Emma Burgess gave a moving performance as Heidi Hansen, Evan’s mother. She captured the determination of a mother trying to do her best for her son, while her solos and duets with Liam were particularly emotional and heartfelt George Immanuel’s portrayal of Evan’s “family friend,” Jared Kleinman, brought welcome humour to the show. Alexia Ho, as Alana Beck, complemented this with excellent comic timing, adding energy and lightness to the production.

The ensemble also delivered an excellent performance. Sarah Brodie’s choreography was sharp and engaging, while the strong group vocals helped bring the production to life.

The staging was simple but highly effective. Social media comments rolled across the screens, while the sound of people’s voices grew louder and louder before cutting suddenly to silence.

The music in Dear Evan Hansen was performed by an excellent band under the musical direction of Rebecca Barques. The cast matched this with beautifully sung performances throughout.

I have been fortunate to see several Hessle Theatre Company productions over the years, and they consistently deliver excellent shows. If you have the chance to see Dear Evan Hansen, go. If not, look out for their forthcoming productions; you will not be disappointed.

Leeds Grand Theatre – until 12 September 2026

★★★★★

Regular readers of Fairypowered Productions may be aware that I have been quite unwell recently. As a result, I sadly missed several productions I had been eagerly anticipating. One of those was Operation Mincemeat, which I was due to see on the very day I was admitted to hospital. Needless to say, I was delighted to finally catch up with this award-winning musical during its stop at Leeds Grand Theatre this week.

Written by Spitlip (David Cumming, Felix Hagen, Natasha Hodgson and Zoe Roberts) – winners of the fairypowered Aurora Award in 2023, it is clear why Operation Mincemeat has become such a phenomenon. This is an extraordinarily clever musical, packed with razor-sharp wit, brilliantly crafted lyrics and an astonishing number of words. The sheer volume of lyrics is staggering, delivered at breakneck speed with precision and clarity by a cast who barely seem to stop moving for a second. It is a show that demands complete concentration from its audience because if you are still laughing at one joke, there are already three more racing towards you.

What makes Operation Mincemeat feel uniquely British is its comedic style. Rather than relying on traditional set-up and punchline structures, the humour comes thick and fast, infused with a wonderfully absurd, almost Monty Python-esque energy. The real-life historical figures are transformed into gloriously exaggerated caricatures, creating a style that is delightfully silly yet perfectly suited to the story being told.

The cast is nothing short of phenomenal. The demands placed upon them are extraordinary. Multiple roles, lightning-fast costume changes, intricate choreography, endless props and a script packed with tongue-twisting lyrics would be enough to challenge any company, yet this ensemble handles it all with apparent ease.

Jamie-Rose Monk is simply sensational, she commands the stage whenever she appears. Her performance is beautifully judged, balancing comedy and sincerity with remarkable skill. In a cast full of exceptional talent, Monk somehow manages to stand out, delivering a performance that is both hilarious and deeply affecting..

Alongside Monk, the entire company – Sean Carey, Charlotte Hanna-Williams and Holly Sumpter – deserves enormous praise. Each performer demonstrates incredible versatility, switching effortlessly between characters while maintaining impeccable comic timing. The chemistry between the cast is electric, and their collective energy drives the show forward at a relentless pace.

However special praise must go to Jordan Pearson, stepping for Christian Andrews, and his rendition of “Dear Bill” which was utterly spellbinding, silencing the audience before earning one of the loudest and most heartfelt rounds of applause of the evening. It is the kind of performance that lingers long after the curtain falls

The set design (Ben Stones) is another triumph. Initially appearing deceptively simple, it gradually reveals itself to be far more inventive than first impressions suggest. Just when you think you’ve seen every trick it has to offer, another ingenious surprise emerges.

Musically, the show is packed with memorable numbers. I left the theatre with several songs firmly lodged in my head and a strong desire to hear them all again. The score is clever, catchy and emotionally resonant, with “Dear Bill” standing out as a future classic that audiences will undoubtedly be singing, performing and auditioning with for years to come.

What makes Operation Mincemeat so special is its ability to balance outrageous comedy with genuine heart. Amid the laughter are moments of real emotion that remind us of the human stories behind the historical events. It is this balance that elevates the production from being merely funny to being truly exceptional.

This was a fabulous evening at the theatre shared with an audience who clearly adored every moment. Packed with laughs, filled with surprises and delivered with extraordinary skill, Operation Mincemeat is one of the most entertaining and inventive musicals currently touring the UK. An extra bonus at the performance we attended was to watch the show being signed. it was mesmorising and I’m sorry I didn’t get the signers name

History has never been this hilarious – Operation Mincemeat turns wartime deception into five-star musical theatre. Brava to the cast, crew, writers, composers and everyone involved. This is British musical theatre at its absolute best.

THE WEST END’S HIT SCARE-FEST EXTENDS FOR A FIFTH TIME FOLLOWING A BLOCKBUSTER BROADWAY OPENING AND LAUNCH OF A

MAJOR UK AND IRELAND TOUR

NOW PLAYING AT THE AMBASSADORS THEATRE

GALA NIGHT MONDAY 5^th OCTOBER, 2026

www.paranormalonstage.com

Written by acclaimed playwright Levi Holloway

and directed by Felix Barrett, visionary director behind Punchdrunk

Based on the Paranormal Activity films, first written and directed by Oren Peli and brought

to the screen by Blumhouse and Solana Films

Having recently reopened for a second season in its West End home, the Ambassador’s Theatre, Paranormal Activity producers Melting Pot are delighted to announce that the nerve-shredding supernatural hit today extends for a fifth time. Tickets for the new booking period Monday 9 November 2026 – Saturday 2 January 2027 are on sale now at www.paranormalonstage.com.

The extension comes at an exciting time for the production as Paranormal Activity recently opened for a 20-week Broadway season at the August Wilson Theatre to stellar reviews following a US tour, and also opens a major UK and Ireland tour at London’s Richmond Theatre this week.

The masterclass in supernatural suspensestars Ty Fanning (Othello,Ethel Barrymore Theatre, opposite Denzel Washington and Jake Gyllenhaal)as ‘James’, Ami Okumura Jones (My Neighbour Totoro, Barbican; Hostage,the Netflix political drama) as ‘Lou’, Kirsty Bushell (BBC, Motherland; King Lear, Chichester Festival Theatre) as ‘Etheline Cotgrave’ and welcomes the return of Pippa Winslow in her role as ‘Carolanne’ following her celebrated runs in the Leeds Playhouse and first West End season.

Blurring the line between cinema and live theatre, Paranormal Activity has been hailed as a ‘relentlessly frightening – arm-clutchingly, stranger-embracingly so’ (Metro) theatrical experience— leaving audiences jumping out of their seats and questioning what’s lurking in the dark long after the curtain falls.

Praised for its inventive storytelling and terrifying atmosphere, Paranormal Activity is a must-see event for thrill-seekers and theatre lovers alike. Following its original run at Leeds Playhouse and its first West End engagement, which saw the show play at the Ambassadors Theatre from Friday 5 December 2025 – Saturday 25 April 2026, Paranormal Activity began a North American tour last autumn visiting the Chicago Shakespeare Theatre, Center Theatre Group, Ahmanson Theatre, Shakespeare Theatre Company, Washington DC, American Conservatory Theatre, San Francisco, CAA Ed Mirvish Theatre, Toronto, and Boston’s Emerson Colonial Theater, before opening its critically lauded 20-week Broadway season at the August Wilson Theatre on August 14 2026.

James and Lou move from Chicago to London to escape their past, but they soon discover that places aren’t haunted, people are… Inspired by the iconic, terrifying film series, Paranormal Activity is a new story live on stage.

A new story inspired by the worldwide horror phenomenon Paranormal Activity is directed by immersive theatre pioneer and Punchdrunk’s Founder and Artistic Director Felix Barrett and written by playwright Levi Holloway, whose pulse-pounding theatrical thriller Grey House chilled Broadway audiences.

Paranormal Activity reimagines the modern ghost story with an unsettling intimacy only theatre can provide. Immersing audiences in an atmosphere of creeping dread, unseen forces, and psychological tension, Levi Holloway’s script offers a bold reinterpretation of the original, blending domestic horror with mind-bending theatricality.

Felix Barrett, known for breaking boundaries between audience and performer, brings his signature visionary style to the production. With innovative staging and chilling soundscapes, Paranormal Activity invites audiences to witness the inexplicable up close—and feel the fear in real time.

The creative team also includes Fly Davis as Set and Costume Designer, Illusions by Chris Fisher, Anna Watson as Lighting Designer, Gareth Fry as Sound Designer, Video Design by Luke Halls and Casting Direction by Stuart Burt CDG and Ginny Schiller CDG and Associate Director, Anna Marshall.

‘Will I be scared? Yes. How scared? Very. Cleverly, too.’ 

Chicago Tribune

Released by Paramount Pictures in 2009, the original Paranormal Activity is a master class in psychological terror.  Reimagining the found footage genre for a new generation, the film became a global sensation, grossing nearly $200 million worldwide and kicking off a blockbuster franchise spanning seven feature films.  Now, the legacy of fear comes to the intimate world of the theatre as the terrifying phenomenon transitions to the West End stage. Get ready to experience Paranormal Activity in real life.

Paranormal Activity is produced by Simon Friend & Hanna Osmolska for Melting Pot in association with Gavin Kalin, Ken Davenport, Jenny King, Patrick Gracey, Jonathan & Rae Corr and Leeds Playhouse.

Age recommendation – 15 +

WEST END PRODUCTION OF MULTI-AWARD WINNING
HAMILTON

EXTENDS BOOKING UNTIL 2 OCTOBER 2027
AT THE VICTORIA PALACE THEATRE

Following a sold-out season featuring Broadway’s original Aaron Burr Leslie Odom, Jr., producers Jeffrey Seller and Cameron Mackintosh, are delighted to announce their West End production of Lin-Manuel Miranda’s HAMILTON, will extend booking at the Victoria Palace Theatre until 2 October 2027.

The current cast is led by Stephenson Ardern-Sodje as Alexander Hamilton, Yeukayi Ushe as Aaron Burr, Bente Mulan as Eliza Hamilton, Georgina Onuorah as Angelica Schuyler, Akmed Junior Khemalai as George Washington, Ashley J. Daniels as Marquis De Lafayette/Thomas Jefferson, Alexander Bellinfantie as Hercules Mulligan/James Madison, Shak Mancel James as John Laurens/Philip Hamilton, Jasmine Jia Yung Shen as Peggy Schuyler/Maria Reynolds and Daniel Boys as King George III.

Completing the company are Yuki Abe, John Browning, Milan Cacacie, Joshua Clemetson, Roxanne Couch, Manaia Glassey-Ohlson, Jack Harrison-Cooper, Yesy Garcia, Riccardo Haerri, Olivia Kate Holding, Sergi Ibanez, Jared Irving, Nicolais-Andre Kerry, Lily Laight, Michael Lin, Avigalle Mendoza, Fallon Mondlane, Tamara Morgan, Liam Morris, Tim Nutt, Joshian Angelo Omaña, Aharon Rayner, Phoebe Samuel-Gray and Daisy Ward.

HAMILTON has book, music and lyrics by Lin-Manuel Miranda, is directed by Thomas Kail, with choreography by Andy Blankenbuehler, musical supervision and orchestrations by Alex Lacamoire and is based on Ron Chernow’s biography of Alexander Hamilton. HAMILTON features scenic design by David Korins, costume design by Paul Tazewell, lighting design by Howell Binkley, sound design by Nevin Steinberg and hair and wig design by Charles G. LaPointe.

HAMILTON is produced in London by Jeffrey Seller, Sander Jacobs, Jill Furman, The Public Theater and Cameron Mackintosh.

LA VOIX HEADS TO THE WEST END AS LONDON PALLADIUM DATE IS ANNOUNCED FOR SPRING 2027

MANCHESTER AND BLACKPOOL DATES ALSO ADDED DUE TO POPULAR DEMAND

La Voix is heading to the West End! Following the huge response to the announcement of her 2027 UK tour LA Voix Live it has been confirmed that she will visit to the iconic London Palladium on 22nd March 2027, with new dates also added in Manchester and Blackpool in April due to popular demand.

On performing in her own show for the very first time on Palladium stage La Voix says:

“Playing the London Palladium is quite honestly a dream come true. I grew up watching the greats from Judy Garland to Shirley Bassey and imagining what it must feel like to stand where they stood.”

The Palladium has always represented the very essence of showbusiness to me: glamour, history and magic. So, to walk onto that stage, with my own show, is going to be an incredibly emotional moment.

“It feels like the little La Voix who watched those performances all those years ago is finally getting her moment under those lights. Last year it blew my mind that I performed and sold-out Drury Lane… this is the next level!”

This brand-new show from the showbiz tour-de-force herself will be packed with sensational vocals, a live band, outrageous comedy, razor-sharp wit and more glamour than should be allowed. Whether she’s belting out showstoppers, sharing scandalous stories or leaving audiences crying with laughter, La Voix delivers world-class entertainment and with no two shows the same, expect an unpredictable and unforgettable night out!

Renowned for her charismatic stage presence, La Voix has toured theatres around the country for the last 10 years, most recently with her hugely successful sold-out tour The Show Isn’t Over. In 2026 she starred in Annie The Musical as Miss Hannigan, receiving rave reviews across the board.

In 2025, La Voix became one of Britain’s most talked-about TV stars after waltzing her way into the nation’s hearts on BBC’s Strictly Come Dancing. She has since continued to conquer television, most recently reading out the UK votes on The Eurovision Song Contest 2026, performing as herself in EastEnders and appearing regularly on ITV1’s This Morning, where she discusses all the Entertainment and Showbiz news.

Produced by the award-winning Imagine Theatre, La Voix Live will open at BEAM: Hertford on 05 March 2027 before touring theatres across the UK through March and April.

For those who discovered La Voix on TV, this is the chance to experience the magic close up. For loyal fans, expect an even bigger celebration packed with new material, unforgettable moments and all the fabulousness you’ve come to expect.

With a voice that stops traffic, gowns that deserve their own standing ovation and charisma strong enough to power the National Grid, La Voix is back – bigger, bolder and more fabulous than ever!  Book now… because life’s simply too short for sensible evenings.

www.lavoix.co.uk

BIRMINGHAM REP ANNOUNCES FULL CASTING FOR ITS FORTHCOMING PRODUCTION OF “PETER PAN”

PETER PAN 
Birmingham Rep 
Wednesday 18 November 2026 – Sunday 17 January 2027 
Box office: birmingham-rep.co.uk, 0121 236 4455 

Directed by Joe Murphy

Birmingham Rep has announced full casting for its forthcoming festive production of Peter Pan, J M Barrie’s much-loved children’s story, which runs between Wednesday 18 November 2026 and Sunday 17 January 2027.

This new production of Peter Pan is adapted by Phil Porter, with original music by Ruth Chan, and is directed by The Rep’s Artistic Director, Joe Murphy, fresh from his success with Sweeney Todd The Demon Barber of Fleet Street.

The cast comprises: Jack Benjamin (Mr Darling/Skylights); Amber Sylvia Edwards (Wendy); Maddie Hansen (Curly); Matthew James Hinchliffe (Jukes); James Ifan (Tootles); Jordan Laviniere (Michael Darling); Jacob Leeson (Slightly); Lara Lewis (Nibs); Hannah McPake (Hook/Mrs Darling); Elijah Millar (John Darling); Emmy Stonelake (Tinkerbell); Susannah Van Den Berg (Smee); and Iverson Yabut (Peter Pan).

Peter Pan is the classic story of the boy who never grew up and his adventures in Neverland with Wendy and the other Darling children, not forgetting Tinker Bell, The Lost Boys and Hook. Bursting with imagination, this faithful re-telling of J M Barrie’s beloved tale looks set to delight audiences afresh this festive season.

Joe Murphy, Director and Artistic Director of The Rep said:

“I’m delighted with the wonderful cast we’ve assembled who are going to bring Phil Porter’s joyous new adaptation of JM Barrie’s unforgettable children’s story to life.  Phil’s version has got everything you could want from Peter Pan. We’re setting it in the original late Victorian/Edwardian period, and alongside all the iconic characters – Peter, Wendy, Tinker Bell, The Lost Boys, Hook and a crocodile – there will, of course, be flying, genuine flying.

“Our composer, Ruth Chan has written over 20 original songs with Phil, which are sure to bring a smile and maybe a tear to theatregoers of all ages.  And I love the character and strength of Wendy, who experiences her own coming-of-age story, growing in confidence and maturity as the play progresses.

“I really hope this production will delight everyone, especially all those young people who, as is often the way, will be getting their first taste of theatre during this magical time of year.

“All in all, it promises to be an enchanting, festive feast not to be missed.”

Iverson Yabut plays Peter Pan. Previous Birmingham Rep credits include:

A Christmas Carol: A Ghost Story. Other theatre credits include: Aladdin (Evolution Productions), Chariots of Fire and Miss Saigon (Sheffield Crucible), Pacific Overtures (Menier Chocolate Factory) and George Takei’s Allegiance (Charing Cross Theatre). Film credits include: Fantastic Four: First Steps (Marvel) and Mutiny (Lionsgate/MadRiver Pictures).

Hannah McPake plays Hook and Mrs Darling.  Previous Birmingham Rep credits include A Midsummer Night’s Dream.  Other theatre credits include:Nye (National Theatre), Hamnet (RSC and West End), Romeo and Juliet and The Knight of The Burning Pestle (Shakespeare’s Globe), Stranger Beasts, I am Kevin and Kneebone Cadillac (Wild Works), Tales of the Brothers Grimm, A Midsummer Night’s Dream, A Christmas Carol, Alice in Wonderland, The Wind in the Willows, Maudie’s Rooms, Cinders and Plum (and me, Will) (Sherman Theatre), and Silly Kings, Wonderman and Red Man/Green Woman (National Theatre Wales). Television and film credits include: Casualty (BBC), Trollied (Roughcut TV for SKY1), Skins (E4) and Where I Go (When I can’t be where I am) (China Plate).

Amber Sylvia Edwards plays Wendy. Hertheatrecredits include The Tempest, Macbeth (RSC), Wild Rose (Royal Lyceum, Edinburgh), The Good John Proctor (Jermyn Street Theatre), Tina (Aldwych Theatre), Orphans (National Theatre of Scotland), and Dirty Dancing (UK Tour). Film credits include: I Swear and Elegancia.

Emmy Stonelake plays Tinker Bell.  Theirprevious Birmingham Rep credits include Sweet Henry V. Other theatre credits include: A Midsummer Night’s Dream (RSC/Unicorn), Beauty and the Beast (Storyhouse), Twelfth Night (Shakespeare’s Globe), OG Prince of Wales, A Christmas Carol (Sherman Theatre), Tell Me How It Ends (Liverpool Everyman), The Fair Maid of the West (RSC), and Pride and Prejudice *Sort Of (UK Tour). Film and Television includes: Dreaming Whilst Black (BBC Three/Showtime) and The Diplomat (BBC/Alibi).

Joining Joe Murphy, Phil Porter and Ruth Chan on the creative team are: Hayley Grindle (Set and Costume Designer), Christopher Mundy (Musical Supervisor and Orchestration), Zoe Spurr (Lighting Designer), Nick Lodge (Sound Designer), Sarah Golding (Choreographer and Movement Director), Kev McCurdy (Fight Director), Helena Palmer CDG (Casting Director), Josh Sood (Musical Director), Alexandra Whiteley (Assistant Director), Jo Lakin (Puppetry Designer), Jill Molyneux (Props Supervisor) and Phoebe Bath (Production Manager).

To book simply visit Birmingham Rep at birmingham-rep.co.uk or call the Box Office on 0121 236 4455 (Monday to Friday from 12pm to 6pm. Saturdays 12pm to 6pm, or 4pm if there is no evening performance scheduled). 

THE CELEBRATED

NATIONAL THEATRE PRODUCTION OF

BALLET SHOES

TO EMBARK ON A MAJOR UK TOUR

BEGINNING

AUGUST 2027

STRICTLY COME DANCING STAR ANTON DU BEKE TO MAKE HIS DEBUT IN A NATIONAL THEATRE PRODUCTION

The National Theatre’s acclaimed production of Ballet Shoes by Noel Streatfeild, adapted for the stage by Kendall Feaver and directed by Katy Rudd will begin a major tour of the UK in August 2027 touring through to 2028.  Strictly Come Dancing star Anton du Beke will make his debut in a National Theatre production playing Great Uncle Matthew and Fidolia.

Ballet Shoes opens at the Waterside Theatre, Aylesbury (19-21 August 2027), then heads to Sadler’s Wells Theatre in London on 25 August 2027, where it will have its press night on 31 August 2027.  It runs in London until 11 September 2027, then tours to Norwich Theatre Royal (14 – 18 September 2027), Marlowe Theatre, Canterbury (21 – 25 September 2027), Nottingham Theatre Royal (5 – 9 October 2027), Birmingham Hippodrome (12-16 October 2027), Edinburgh Playhouse (19-23 October 2027), Kings Theatre, Glasgow (26 – 30 October 2027), Chichester Festival Theatre (4-13 November 2027), Bristol Hippodrome (16 – 20 November 2027), Sunderland Empire Theatre (30 November – 4 December 2027), Lowry, Salford (8 December 2027 – 2 January 2028), New Theatre Oxford (5  – 8 January 2028), Liverpool Empire Theatre (11 – 15 January 2028), Milton Keynes Theatre (18 – 22 January 2028), Mayflower Theatre, Southampton (22-26 February 2028). Further dates and venues to be announced. For more information visit BalletShoesOnStage.com.

This five star reimagining of Noel Streatfeild‘s beloved novel breathes fresh life into the classic story, while staying true to its heart.   In a crumbling house full of dinosaur bones and fossils, three adopted sisters –Pauline, Petrova and Posy – are learning who they are and discovering who they want to be. Under the watchful eyes and guidance of their new guardians and some unlikely lodgers, they fight to pursue their individual passions: but in a world that wasn’t built for women with big ambitions, can they forge a future, keep their family together, and even learn a dance or two along the way?

Actor Anton du Beke said:

‘I took my family to see Ballet Shoes at the National Theatre, and I completely fell in love with the show. It was such a beautiful, joyful production, and when I was given the opportunity to be part of it, I jumped at the chance. I couldn’t wait to step into that world and be a part of the magic. It gives me an exciting opportunity to test myself further as an actor – and dance and family are at the core, the two most important things to me.’

Chris Harper said:

‘I am overjoyed to be working with the National Theatre again, and especially thrilled to work with Katy Rudd, whose acclaimed production of Ballet Shoes is an absolute delight. Audiences are in for a huge treat with Anton Du Beke, who will be joining us as Great Uncle Matthew and Fidolia. I can’t wait to share this production with audiences across the UK for the adventure of a lifetime.’

Director Katy Rudd, who recently directed the acclaimed production of The Unlikely Pilgrimage of Harold Fry and will be directing Emma Thompson’s brand-new musical adaptation of Nanny McPhee in the West Endadded:

‘After two successful runs at the National Theatre, I am excited to share Ballet Shoes with an even bigger audience as it embarks on its first tour of the UK.  Ballet Shoes is a much-loved story written by Noel Streatfeild about three young, orphaned girls who, despite the odds, learn to pursue their individual passions, build their futures and do it for themselves. A revolutionary idea in the 1930s when the book first appeared and still very potent today.

I love this story because it shows us the transformational power of the arts to change lives. The arts help us to work out who we are, find empathy and community with others and build resilience to overcome the obstacles in our way.  These ideas are central to the children in this story – and – importantly, to young people up and down our country today.  I can’t wait for people to experience Kendall Feaver’s gorgeous adaptation of Ballet Shoes; it has something for everyone. It is an uplifting and magical family show. It will make you laugh, cry and fall in love with the theatre.’

Executive Director and Co-Chief Executive of the National Theatre, Kate Varah commented:

‘We are thrilled to be touring the UK next year with our hit stage adaptation of Ballet Shoes in a co-production with Chris Harper Productions, following two hugely successful runs at the National Theatre in 2024 and 2025. To have Anton Du Beke take on the role of Great Uncle Matthew and Fidolia, swapping Strictly ballroom for the world of Ballet Shoes is glorious. Anton is perfectly placed to bring his warmth, charm and adventurous spirit to this radiant, life-affirming production. Adapted by Kendall Feaver from Noel Streatfeild’s adored 1930s novel and directed by Katy Rudd, audiences across the country of all ages will be enchanted by their heart-warming production.’

CEO of Raymond James Wealth Management Group Limited, Kim Jenson said: 

“We’re delighted to support the National Theatre’s Ballet Shoes tour as its Financial Wellbeing Partner. The enduring appeal of this much-loved story lies in its celebration of individuality. Pauline, Petrova and Posy each imagine a different future, and the story honours their unique ambitions while keeping family at its heart. That’s a sentiment we understand well. Every day, we support people and their families through important life stages, helping them plan for the future in a way that reflects their individual circumstances. As Ballet Shoes tours communities across the UK, we’re proud to support the wellbeing of the talented people behind the production and help bring this inspiring story to audiences nationwide.”

Director Katy Rudd is joined on the creative team by set designer Frankie Bradshaw, costume designer Samuel Wyer, choreographer Ellen Kane, composer Asaf Zohar, dance arrangements and orchestrations Gavin Sutherland, lighting designer Paule Constable, sound designer Ian Dickinson for Autograph, video designer Ash J Woodward, illusions Chris Fisher and the casting director is Bryony Jarvis-Taylor CDG.

Anton Du Beke will be performing the role of Great Uncle Matthew and Fidolia during specific performances at select venues. Further casting to be announced. For further info visit BalletShoesOnStage.com.

The production will be working with Frozen Light, an award-winning theatre company dedicated to creating multi-sensory theatre for audiences with profound and multiple learning disabilities at select venues on the tour.  Access performances and family ticket rates will be available across the tour.

The National Theatre production of Ballet Shoes played to sold-out houses in the Olivier theatre in London in 2024 and 2025. Chris Harper Productions and the National Theatre present the National Theatre production of Ballet Shoes on tour.

LISTING INFORMATION

Website: BalletShoesOnStage.com

Running Time: 2 hours and 30 minutes (with a 20mins interval)

Age Recommendation: For ages 7 to 107

Social Channels: @BalletShoesOnStage 

Tour Venues & Date:

Aylesbury Waterside Theatre

Thursday 19 August 2027 – Saturday 21 August 2027

Starring: Anton Du Beke, further casting to be announced.

https://www.atgtickets.com/venues/aylesbury-waterside-theatre/whats-on

ATG+ Priority Booking opens Friday 18 Sep 2026 with General on sale opening Thursday 24 Sep 2026

London, Sadlers Wells Theatre

Wednesday 25 August 2027 – Saturday 11 September 2027

No performances 30 August, 1 September, 6 September. Press Night on 31 August.

Starring: Anton Du Beke 25- 31 August only, further casting to be announced.

https://www.sadlerswells.com

Booking Opens Soon

Norwich Theatre Royal

Tuesday 14 September 2027 – Saturday 18 September 2027

Starring: TBC

https://norwichtheatre.org

Booking Opens Soon

Canterbury Marlowe Theatre

Tuesday 21 September 2027 – Saturday 25 September 2027

Starring: TBC

https://marlowetheatre.com/

Booking Opens Soon

Nottingham Theatre Royal

Tuesday 5 October 2027 – Saturday 9 October 2027

Starring: TBC

https://www.trch.co.uk

Booking Opens Soon

Birmingham Hippodrome

Tuesday 12 October 2027 – Saturday 16 October 2027

Starring: Anton Du Beke (Tues 12 Oct – Fri 15 Oct only), further casting TBC

https://www.birminghamhippodrome.com/

Booking Opens Soon

Edinburgh Playhouse

Tuesday 19 October 2027 – Saturday 23 October 2027

Starring: Anton Du Beke (Tues 19 Oct – Friday 22 Oct only), further casting TBC

https://www.atgtickets.com/venues/edinburgh-playhouse/whats-on

ATG+ Priority Booking opens Friday 18 Sep 2026 with General on sale opening Thursday 24 Sep 2026

Glasgow Kings Theatre

Tuesday 26 October 2027 – Saturday 30 October 2027

Starring: Anton Du Beke (Tues 26 Oct – Friday 29 Oct only), further casting TBC

https://www.atgtickets.com/venues/kings-theatre-glasgow/whats-on

ATG+ Priority Booking opens Friday 18 Sep 2026 with General on sale opening Thursday 24 Sep 2026

Chichester Festival Theatre

Thursday 4 November 2027 – Saturday 13 November 2027

Starring: Anton Du Beke (From Tues 9 Nov – Fri 12 Nov only), further casting TBC

https://www.cft.org.uk

Booking Opens in 2027

Bristol Hippodrome

Tuesday 16 November 2027 – Saturday 20 November 2027

Starring: Anton Du Beke (Tues 16 Nov  – Friday Fri 19 Nov only), further casting TBC

https://www.atgtickets.com/venues/bristol-hippodrome/whats-on

ATG+ Priority Booking opens Friday 18 Sep 2026 with General on sale opening Thursday 24 Sep 2026

Sunderland Empire Theatre

Tuesday 30 November 2027 – Saturday 4 December 2027

Starring: Anton Du Beke (Tues 30 Nov  – Friday 3 Dec only), further casting TBC

https://www.atgtickets.com/venues/sunderland-empire/whats-on

ATG+ Priority Booking opens Friday 18 Sep 2026 with General on sale opening Thursday 24 Sep 2026

Lowry, Salford, Greater Manchester

Wednesday 8 December 2027 – Sunday 2 January 2028

Starring: Anton Du Beke (Wed 8 Dec – Sun  12 Dec, plus Mon 27 Dec – Sun 2 Jan only), further casting TBC

https://www.thelowry.com

Booking Opens 24 September 2026

New Theatre Oxford

Wednesday 5 January 2028 – Saturday 8 January 2028

Starring: TBC

https://www.atgtickets.com/venues/new-theatre-oxford/whats-on

ATG+ Priority Booking opens Friday 18 Sep 2026 with General on sale opening Thursday 24 Sep 2026

Liverpool Empire Theatre

Tuesday 11 January 2028 – Saturday 15 January 2028

Starring:  Anton Du Beke (all performances)

https://www.atgtickets.com/venues/liverpool-empire/whats-on

ATG+ Priority Booking opens Friday 18 Sep 2026 with General on sale opening Thursday 24 Sep 2026

Milton Keynes Theatre

Tuesday 18 January 2028 – Saturday 22 January 2028

Starring: Anton Du Beke (all performances)

https://www.atgtickets.com/venues/milton-keynes-theatre/whats-on

ATG+ Priority Booking opens Friday 18 Sep 2026 with General on sale opening Thursday 24 Sep 2026

Southampton Mayflower Theatre

Tuesday 22 February 2028 – Saturday 26 February 2028 (TBC)

Starring: TBC

https://www.mayflower.org.uk

Booking Opens Soon

The Winter Gardens Blackpool – until 19 September2026

Reviewed by Debra Skelton

5*****

‘The lift may be famous, but the entire show soars’

There are few films as deeply embedded in popular culture as Dirty Dancing, making any stage adaptation a considerable undertaking. With its iconic characters, unforgettable soundtrack and legendary choreography, audiences arrive with clear expectations. Fortunately, this touring production understands precisely what makes the story so enduring and delivers it with confidence, energy and affection.

Set in the summer of 1963, the production follows 17-year-old Frances “Baby” Houseman (Charlie Varlet) during a family holiday at Kellerman’s Resort. What begins as a conventional summer getaway soon becomes a transformative experience when Baby discovers the hidden social world of the resort staff and meets dance instructor Johnny Castle (Joel Benjamin). Drawn into his world, she steps in as his dance partner, setting in motion a story of romance, personal growth and self-discovery.

Rather than attempting to reinterpret the source material, this production leans into the nostalgia that has made Dirty Dancing a beloved classic for more than three decades. The result is an evening that feels both celebratory and reassuringly familiar, allowing the audience to relive the story’s most cherished moments while enjoying the spectacle of live performance.

The company’s greatest strength lies in its dancing. The choreography is executed with remarkable precision, vitality and control, capturing the sensuality and excitement that define the production. From ensemble sequences to the show’s signature dance numbers, the cast demonstrates an impressive level of technical skill, performing demanding routines with apparent ease.

Among the standout performers is Ellie Cutler as Penny, whose stage presence is impossible to ignore. Her dancing combines athleticism with elegance, delivering a performance of assured confidence and exceptional artistry. Cutler brings both character and technical excellence to the role, and her appearances consistently rank among the evening’s highlights.

Joel Benjamin and Charlie Varlet provide engaging central performances, successfully conveying the chemistry that sits at the heart of the narrative. Together they anchor the production effectively, allowing the emotional journey of Baby and Johnny to resonate alongside the show’s more spectacular musical and dance moments.

Musically, the production is equally strong. The familiar score remains one of Dirty Dancing‘s greatest assets, and hearing these beloved songs performed live adds considerable impact. A particular highlight is the on-stage band, whose presence enhances the immediacy and energy of the performance. Far more than accompanying musicians, they become an integral part of the production’s atmosphere, bringing warmth, authenticity and momentum to the storytelling.

While Dirty Dancing may not seek to reinvent itself for a contemporary audience, it understands exactly what its audience has come to experience. This touring production delivers the romance, nostalgia and exhilarating choreography that have made the title such a lasting favourite. For fans of the film, it is an entertaining and crowd-pleasing evening that remains faithful to the spirit of the original while showcasing the talents of a highly accomplished cast and creative team.

Theatre Royal, Nottingham – until 12th September 2026

Reviewed by Lauren Fordham

4****

Heathers The Musical is described as ‘High School Musical’s darker, dirtier cousin.’ Based on the cult 1988 film by Daniel Waters, its book, music and lyrics were written by Kevin Murphy and Laurence O’Keefe.  It follows Veronica Sawyer, a teenage misfit at Westerberg High School who infiltrates the most powerful yet cruel girls’ clique, that of three girls named Heather, and, accompanied and encouraged by her boyfriend JD, manipulates and murders her classmates. 

Gerardine Sacdalan deftly handles Veronica’s trajectory through high school, rising from the margins of high school society at the beginning of the show ‘I pray, I pray I pray…things will get better,’ to ingratiating herself with the Heathers due to her forgery letter-writing abilities ‘I crave a boon, let me sit at your table, no talking necessary.’ But it’s in the second half of the show that Sacdalan truly shines, belting out ‘I Say No!’ to Louis Hearsey’s JD, with the skill of a future superstar.

Hearsey’s JD evokes both pity as a rootless, motherless loner numbing his suicidal thoughts with a slushy in the number ‘Freeze Your Brain’, and fear of the violence he threatens in ‘Our Love is God.’ ‘They”ll die because we say they must.’  

Liberty Stottor steals the show as the ‘mythic bitch’ Heather Chandler, being both bullying in the Heathers’ opening earworm ‘Candy Store,’ ‘I’d normally slap your face off – and brilliantly comically melodramatic as a ghost after Veronica kills her: ‘No one thinks a pretty girl has feelings…Jesus, you’re making me sound like Air Supply.’ 

Ben Cracknell’s use of spotlights on the Heathers that coordinate with the colour of their dresses dovetails beautifully with David Shields’ costume choices, giving the Heathers a separate uniform almost, to indicate their superiority to the rest of the student body.

Gary Lloyd’s choreography is almost balletic, particularly when Ram Sweeney (Beau Jackson) and Kurt Kelly (Markus Södergren) fight with JD. 

The use of cafeteria trays in the opening number and David Shields’ Rottweiler school crest gives a strong sense of place, and the use of a split level stage makes the school seem huge and more imposing. Unfortunately wheelchair users such as myself, being forced to sit under the overhang at the back of the stalls (better seats are normally available but were rendered inaccessible due to a malfunctioning lift) are prevented from seeing a lot of what happens on the balcony, affecting understanding of some of the scenes and definitely impacting enjoyment. I’ve always been on the side of the underdog and was particularly sad to only be able to hear, not see, Sophie Manners’ Martha Dunnstock’s Kindergarten Boyfriend.

But amidst the violence there is a lot of humour in Heathers, I particularly liked Ram’s (John Gurdían)  and Kurt’s dad’s (Reuben Browne’s) recollection of their own homosexual encounter whilst celebrating Ram and Kurt’s lives in the raucous, rainbow-tied My Dead Gay Son.

There are many big talents in this company, go see them and enjoy a show that is dark and perverse but also big fun!

FULL CASTING ANNOUNCED

FOR

THE OLIVIER AWARD-WINNING SMASH HIT COMEDY

WRITTEN BY TONY^® AWARD-WINNER

COLE ESCOLA

DIRECTED BY TONY^® AWARD-WINNER

SAM PINKLETON

JOINING

LOLLY ADEFOPE

AS MARY TODD LINCOLN

ARE

LUCY FREDERICK           J.R. BALLANTYNE

        AS MARY’S CHAPERONE                AS MARY’S HUSBAND’S ASSISTANT

WITH

VINNIE HEAVEN

AS MARY’S TEACHER

AND

SYRUS LOWE

AS MARY’S HUSBAND

AT THE TRAFALGAR THEATRE

28 SEPTEMBER – 5 DECEMBER 2026

Producers Kevin McCollum & Lucas McMahon and Mike Lavoie & Carlee Briglia are delighted to announce the full cast joining Lolly Adefope in OH, MARY! at the Trafalgar Theatre from 28 September until 5 December 2026.

Joining Lolly Adefope, who makes her West End debut as Mary Todd Lincoln, are Lucy Frederick as Mary’s Chaperone, J.R. Ballantyne as Mary’s Husband’s Assistant, with Vinnie Heaven as Mary’s Teacher and Syrus Lowe as Mary’s Husband.

The Olivier and Tony Award-winning smash hit comedy OH, MARY! is now booking until 2 January 2027.

BAFTA-nominee Lolly Adefope (she/her) is a British actress, best known for her role in hit British sitcom Ghosts, created by the team behind Horrible Histories. The critically acclaimed sitcom ran for 5 seasons, has been nominated for 2 BAFTAs and picked up the Broadcast Press Guild Award for Best Comedy in 2024. Ghosts will return for a final outing as a feature film, Ghosts: The Possession of Button House, releasing in October. Most recently, Lolly starred opposite Himesh Patel and Richard E. Grant in HBO superhero satire The Franchise, a role for which she earned a BAFTA nomination for Female Performance in a Comedy. She will also soon be seen in Apple TV’s Prodigies, opposite Will Sharpe and Ayo Edebiri. Lolly was named as one of Vanity Fair’s Rising Stars of 2025. Previous to this, Lolly has had a variety of roles in notable television series, such as Hulu’s hit feminist comedy Shrill alongside Aidy Bryant, as well as This Time With Alan Partridge, Netflix’s Black Mirror, and TBS’s Miracle Workers. Lolly has also appeared in iconic British comedies such as Motherland, Lovesick, and Stath Lets Flats. Lolly has also appeared on the big screen in blockbusters such as Thea Sharrock’s Wicked Little Letters and Emerald Fennell’s Saltburn.  Having also had a successful comedy career, Lolly performed her first solo show at Edinburgh Fringe in 2015, and was named one of The Guardian’s Rising Stars of 2017. She has appeared on Taskmaster, and has had guest appearances on The Last Leg, 8 Out Of 10 Cats Does Countdown and QI.

Lucy Frederick (she/her) is a comedian, writer and accomplished character actor. Well-known at the Edinburgh Fringe for her ‘eye wateringly honest’ (The Scotsman) shows about the human condition, she has also gained a loyal following as Myra DuBois’ sister, Rose Lavender, in London residencies at The Clapham Grand and on tour. Lucy’s stage credits include A Christmas Carole at Southend Palace Theatre, the National Tour of Cosmic Empath, two panto seasons at The Oxford Playhouse, and Jack & The Beanstalk at Theatre Royal Stratford East, for which she was nominated for Best Newcomer at the UK Pantomime Awards. Her television credits include two seasons of CBBC’s Odd Squad, and BBC1’s Eastenders.

J.R. Ballantyne’s (he/him) West End credits include Curtain’s at Wyndham’s Theatre, as well as on a UK Tour, and Joseph and the Amazing Technicolor Dreamcoat at the London Palladium. His other theatre credits include The BFG for the Royal Shakespeare Company, the UK Tour of The Addams Family, Cry Babyat the Arcola Theatre, Meet Me in St. Louis at Grange Park Opera and Cinderella at the Isaac Theatre Royal in New Zealand.

Vinnie Heaven (they/he) is an actor and writer best known on screen for their role as Nimble in HBO’s The Nevers. Their theatre credits include, most recently,Richard II at the Bridge Theatre andMother Courage and Her Children at Shakespeare’s Globe. Their other theatre credits include Cowbois at the Royal Court (following its critically acclaimed run at the RSC), A Midsummer Night’s Dream at Shakespeare’s Globe, The Misfortune of the English at the Orange Tree Theatre and Cuckoo at Soho Theatre.

Syrus Lowe’s (he/him) theatre credits include Best of Enemies at the Young Vic and in the West End, for which he was nominated for a 2022 Broadway World Award for Best Supporting Performer. His other theatre credits include The Inheritance at the Young Vic and in the West End, Saint Joan at the Donmar Warehouse, The Crucible at the Yard Theatre, The Long Song at Chichester Festival Theatre, La Cage aux Folles at the Park Theatre and in the West End, Henry V at Regent’s Park Open Air Theatre, Power of Sail at the Menier Chocolate Factory, Macbeth at the Liverpool Everyman, Earthquakes in London at the National Theatre, 66 Books – The Middle Man at the Bush Theatre, Fragile – Theatre Uncut at Southwark Playhouse, and The Sky’s the Limit at the Old Vic Theatre. His television credits include ITV’s Grace and Protection, both for ITV, BBC 1’s Strike: Troubled Blood, Netflix’s Treason, and Now TV’s Avenue 5. His film credits include Mike Leigh’s Hard Truths, The Fool’s Mate, and Jimi: The Last 24 Hours.

OH, MARY! currently stars Jinkx Monsoon as Mary Todd Lincoln, alongside Scott Karim as Mary’s Husband, Dino Fetscher as Mary’s Teacher, Kate O’Donnell as Mary’s Chaperone and Oliver Stockley as Mary’s Husband’s Assistant. This cast’s final performance will be Saturday 26 September.

OH, MARY! is a dark comedy about a miserable, suffocated Mary Todd Lincoln in the weeks leading up to Abraham Lincoln’s assassination. Unrequited yearning, alcoholism, and suppressed desires abound in this 80-minute one-act play that finally examines the forgotten life and dreams of Mrs. Lincoln, through the lens of an idiot (playwright Cole Escola).

Declared “one of the best comedies in years” by The New York Times, OH, MARY! received Tony^® Awards for Best Leading Actor in a Play (Cole Escola) and Best Direction of a Play (Sam Pinkleton), Drama League Awards for Outstanding Play and Outstanding Direction of a Play, as well as a special citation from the New York Drama Critics’ Circle. It was named a finalist for the Pulitzer Prize for Drama.

OH, MARY! premiered off-Broadway at the Lucille Lortel Theatre in January 2024, before a Broadway transfer to the Lyceum Theatre in July 2024, where it broke box office records and continues to play to sold out audiences. It had its West End premiere at Trafalgar Theatre on 3 December 2025, where it has also broken many Box Office records, and won Best Entertainment or Comedy Play at this year’s Olivier Awards. This Autumn, OH, MARY! will also launch a US National Tour.

In addition to Cole Escola (Writer) and Sam Pinkleton (Director), the full creative team includes dots (Scenic Designer), Holly Pierson (Costume Designer), Cha See (Lighting Designer), Daniel Kluger (Sound Design and Music), Drew Levy (Sound Designer), Leah J. Loukas (Wig Designer), David Dabbon (Arrangements) with Casting by Stuart Burt CDG. Associate creatives include Georgie Rankcom (Associate Director), Zoë Hurwitz (Scenic), Debo Andrews (Costume), Tom Turner (Lighting), Chris Reid (Sound), Kim Kasim (Wigs), Caitlin Morgan (Music Direction), Eleanor Dolan (Costume Supervisor),and Marcus Hall (Props Supervisor).

OH, MARY! is produced in the West End by Kevin McCollum & Lucas McMahon and Mike Lavoie & Carlee Briglia with Bob Boyett, The Council, Jean Doumanian Productions, Nicole Eisenberg, Jay Marcus & George Strus, Irony Point, Richard Batchelder/Bradley Reynolds, Tyler Mount/Tommy Doyle, Nelson & Tao, Palomares & Rosenberg, ShowTown Productions, Jamie Wilson Productions and Wessex Grove.

The Executive producers of OH, MARY! at Trafalgar Theatre are Wessex Grove.