Soho Theatre – until 2 May 2026

Reviewed by Claire Roderick

4****

Christopher Brett Bailey’s reading of an abridged version of his novella really shouldn’t work on stage, but this show is a gem of masterful and magical storytelling.

Digging deep into Americana, the unnamed narrator first encounters Satan at the local convenience store, two miles north of Hell. Satan has a paunch and has rather let himself go but energetically tries to defend himself when caught buying soy milk and prove his evil credentials.

A white-knuckle ride along the road leaves a trail of dead bodies, but when no police arrive, Satan sets off for the nearest police station to turn himself in. But nobody in authority is interested in the unending line of people waiting to confess their crimes. The pair find their way to a dive bar where Satan’s attempts at seduction fail, leading to a gruesome threesome as Satan proves his sexual prowess with some interesting creatures. As the night continues, the narrator succumbs to Satan’s charms/vices and things become more graphic and more ridiculous until Satan is finally made to pay for his sins and the concept of eternal life is given a neat twist.

The monologue veers between hilarity and melancholy, philosophy and inanity, but always told with a mesmeric clarity that draws you in. Throughout the 70 minutes show, your eyes don’t leave Christopher Brett Bailey as he sits at his table, reading from his script in his calm, knowing drawl, making Satan’s growls seem even harsher. As things reach a climax Alex Fernandes’ fantastically atmospheric lighting creates even more tension as incremental changes become saturated and the contrast of good and evil becomes clearer.

I saw Satan at the 7-Eleven is a weird and wonderful triumph.

Festival Theatre, Malvern – 26th April 2026

Reviewed by Courie Amado Juneau

5*****

Malvern Concert Club always treat us to a spectacular evening’s entertainment with the brightest stars. Tonight was extra special with the visit of Isata Kanneh-Mason. I missed her last visit so was determined to catch her this time. And boy she didn’t disappoint.

The evening began with Beethoven’s Sonata No.2, Op.27, nicknamed “Moonlight” as the opening movement’s rippling effect reminded one early critic of moonlight reflecting off Lake Lucerne. I adored Isata’s control, with a barely contained smouldering intensity that did the work full justice. And in the last movement the passions were fully unleashed in a technically dazzling display that was truly thrilling. At the interval I overheard fellow attendees contemplating whether she possessed seven fingers per hand. I can understand why, given the rapidity of that third movement.

It is always welcome when artists give some background to the pieces we’re hearing – and it was lovely to see Isata carry on that tradition. She outlined an overarching journey from darkness into light, or evening through to dawn breaking – wetting the appetite for the music to come.

Ravel’s Gaspard de la Nuit was only known to me by title and reputation. As the programme noted: the composer deliberately set out to make a technically demanding work. All the more impressive, then, that Isata made her performance so seemingly effortless. That impassioned impressionism so evocative of early 20th Century classical works was present of course and the elegant filigree passages depicting the water nymph was to die for. Sumptuous.

After the interval we were regaled with a work and composer I hadn’t encountered before – Dobrinka Tabakova. Inspired by witnessing a Halo around the moon on a balmy summers evening, Nocturne and Halo was a microcosm of tonight’s programme – coming out of darkness, light forming and ending on the mature halo. It was an interesting piece that looked like it demanded some stamina to maintain the rapid repetitive figures – and again our star tonight was more than up to the task. Some lovely crunchy chords and unusual effects (including using the elbow to silently depress keys so as to allow some intensely quiet harmonics) were just a couple of the highlights that delighted.

Beethoven’s Sonata No.21, Op.53 Waldstein concluded the programme in dazzling style. Very much saving the best till last with a final movement that needs no introduction and brought the house down! It is considered one of Beethoven’s greatest and most technically challenging piano sonatas and yet Isata never broke a sweat or looked anything but her graceful self. And this, despite a fully committed performance when for many of the crashing chords she was up off her piano stool, really digging in. A visual treat as well as an auditory delight.

The audience did not want to let Isata go – which tells the tale of the evening. We loved her! But, after a short encore of another sparkling piece (I wish she’d introduced it so I could revisit it again), the evening sadly concluded. Another incredible evening concluding another successful season for Malvern Concert Club. Their next season can’t come soon enough for this attendee.

Birmingham Symphony Hall – 26th April 2026

Reviewed by Emma Millward

4****

Birmingham Symphony Hall played host to Aljaž and Janette: Let’s Face The Music and Dance, as Aljaž Škorjanec and Janette Manrara delivered a polished and feel-good evening of dancing and live music, aiming to celebrate songwriters, film composers, and record producers who have created the songs that continue to inspire dancers worldwide. Their partnership and chemistry shone right from the start. It felt effortlessly relaxed, and they easily anchored the show together, making a strong connection with an audience clearly made up of many Strictly Come Dancing fans.

The live band added real depth and atmosphere, with Tom Seals (vocals and piano) and Jill Marie Cooper (vocals) leading a rich musical line-up that also features Musical Director Jack Tinker (trumpet), Chris “Beebe” Aldridge (saxophone), Danny Miller (bass), Greg Coulson (organ) and Vito Vultaggio (drums). Each section was made up of medleys of well-known songs, with Tom Seals leading the band through them in style.  Jill Marie Cooper delivered powerhouse vocals, moving from Whitney Houston, Adele to Burt Bacharach standards with ease. The sound in Birmingham Symphony Hall was rich and vibrant, making each medley feel special.

Fresh from playing Roxie Hart in the UK tour of Chicago, Janette Manrara took the opportunity to sing as well as dance, including a well-received rendition of ‘Mein Herr’ from Cabaret. The mix of ballroom and Latin dance styles was strong throughout. The choreography was confident and polished, and the production stuck to classic styles instead of trying anything too experimental. This made the show entertaining to watch, but it also meant that it didn’t often venture into more unexpected territory.

The supporting dancers, Kiera Brunton, Natasha Mould, Tonyé Scott-Obené, and Lochie McDougall gave energy and precision to the larger group numbers, which helped to build momentum as the night progressed. Chris Davidson’s costumes added a touch of glitz and glamour to the show, while Doug Cairns’s set and lighting helped create a jazz club feel.  The movable set, with its tiered levels, gave the cast extra space to perform on.  Everything was sleek and well presented, keeping the focus on the music and performance.  The most noticeable thing was the mood in the auditorium. The cast clearly enjoyed what they were doing, and that came through to the audience, who responded with warmth and appreciation from start to finish.

Ultimately, Let’s Face the Music and Dance was a thoroughly enjoyable celebration of dancing and the people behind the music, driven by strong performances, a fantastic live band and an unmistakably feel-good energy.

FULL CAST CONFIRMED

JOINING THE PREVIOUSLY ANNOUNCED

JASON MANFORD, RICHARD FLEESHMAN
AND MARISHA WALLACE

IN

SOMETHING ROTTEN!

THE UK PREMIERE OF AWARD-WINNING COMEDY MUSICAL

OPENING IN MANCHESTER THIS JUNE

IN A WORLD WITHOUT MUSICALS,
TWO BROTHERS DARED TO DREAM A DREAM.

somethingrottenthemusical.com

Full casting is now revealed for the highly anticipated UK premiere of award-winning comedy musical Something Rotten! which will open at the Manchester Opera House from 16 June to 19 July 2026, ahead of a West End run.

As previously announced, the side-splitting mash-up of song, dance and Elizabethan absurdity that tells the story behind the creation of the world’s very first musical will star comedy, TV and musical theatre icon Jason Manford (Sweeney Todd, The Producers, Chitty Chitty Bang Bang) as Nick Bottom, star of stage and screen Richard Fleeshman (Company, Ghost the Musical, Legally Blonde The Musical, Coronation Street) as William Shakespeare, and Actress and singer Marisha Wallace (Guys and Dolls, Oklahoma!, Waitress and Dreamgirls) as Bea.

Joining them will be Cory English as Nostradamus, Cassius Hackforth as Nigel Bottom, Carla Dixon-Hernandez as Portia, Gareth Davies as Shylock, Chad Saint Louis as Troubadour, Paul Ryan as Brother Jeremiah and Elliotte Williams-N’Dure as Lady C with Andrew Davison, Dylan Collymore, Jordan Cambridge-Taylor, Richard James-Neale and Paul Kemble as Troupe.

The cast is completed by Stephanie Costi, Robert Donnelly, Zac Frieze, Samuel How, Bailey Johnson, Jessica Keable, Rhys Lambert, Sara Morley, Indiya Payne, Hannah Petley, and Rina Punwani.

The ‘90s are back! The 1590s, that is. Brothers Nick and Nigel Bottom are desperate to write a hit play but remain stuck in the shadow of that pompous Renaissance rockstar Will Shakespeare. When a quirky soothsayer foretells an outlandish future for theatre – full of acting, singing and dancing all at the same time – Nick and Nigel set out to write this strange new creation called A MUSICAL! But amidst the scandalous excitement of Opening Night, the Bottom Brothers discover that reaching the top means being true to thine own self… and all that jazz.

Created by the award-winning team behind Mrs. Doubtfire: The Musical: Grammy award-winning songwriter Wayne Kirkpatrick (Change the World, Every Heartbeat), screenwriter Karey Kirkpatrick (Chicken Run, Over the Hedge,  James and the Giant Peach) and best-selling author and comedy scriptwriter John O’Farrell (Spitting Image, Have I Got News for You, Just For One Day), Something Rotten! was the toast of Broadway where it received 10 Tony Award nominations.  

This new production, which follows the acclaimed 2023 WhatsOnStage Award-winning concert version, is directed and choreographed by Tim Jackson (Merrily We Roll Along, Two Strangers Carry a Cake Across New York). The creative team is completed by Set Designer Colin Richmond, Costume Designer Rebecca Brower, Lighting Designer Howard Hudson, Audio Production & Sounder Designer Paul Gatehouse, Co-choreographer Claira Vaughan, Musical Supervisor Nick Finlow, Hair, Wigs and Make Up Designer Carole Hancock, Casting by Jill Green Casting and Production Management by Patrick Molony and Chris Easton.

Something Rotten! is presented by Broadway and West End producers, Kevin McCollum of Alchemation and JAS Theatricals. This production is licensed by Music Theatre International. 

Manchester Abid has supported the Opera House’s Manchester Gets it First programme to help bring Something Rotten! to Manchester.

Tickets
somethingrottenthemusical.com

Social Media
TikTok: @rottenmusicaluk
Twitter: @rottenmusicaluk
Instagram: @rottenmusicalUK

SAMANTHA BARKS

RETURNS TO THE WEST END PRODUCTION OF

LES MISÉRABLES

AS ‘FANTINE’ FOR 8 PERFORMANCES ONLY!

18-23 MAY 2026 AT THE SONDHEIM THEATRE

PRIOR TO JOINING THE ARENA CONCERT SPECTACULAR WORLD TOUR

Cameron Mackintosh is thrilled to welcome back Samantha Barks to the West End production of Boublil and Schönberg’s musical sensation Les Misérables. Barks will play the role of ‘Fantine’ at the Sondheim Theatre, London for 8 performances only from 18 -23 May 2026, prior to joining the star-studded cast of the Les Misérables Arena World Tour at Birmingham Utilita Arena, London’s Royal Albert Hall and New York’s Radio City Music Hall.

Samantha Barks was first discovered by Cameron Mackintosh in the I’d Do Anything TV search to play Nancy in his West End production of Oliver!, where he also found Jessie Buckley, Rachel Tucker and Jodie Prenger.

She went on to play the role of Éponine in the West End and the 25th Anniversary Concert of Les Misérables at the O2 Arena and played Nancy in the UK Tour of Oliver!. During this period, she beat great competition to secure the role of Éponine in the Oscar-winning film adaptation of Les Misérables, which brought her international acclaim. She has since taken leading roles in Pretty Woman on Broadway, Frozen in London and most recently the world premiere of The Greatest Showman.

She now returns to Les Misérables in London at the Sondheim Theatre as Fantine, before joining the Les Misérables: Arena Concert Spectacular in London, Birmingham and at the iconic Radio City Musical Hall in New York.

Samantha Barks said: “Returning to Les Misérables in the West End feels like a true full-circle moment. Sixteen years ago, I first stepped into Éponine’s shoes, with so much still to learn. Now, I return with a deeper understanding of the story and its heart, to take on Fantine— I always wanted to return one day as Fantine, and it feels even more meaningful in this chapter of my life as a mother. This show has shaped so much of my journey, both on stage and on screen, and I’m incredibly grateful to revisit it with fresh perspective. London is where it all began for me, and to be back here telling this story again is incredibly special for me.”

Barks joinsWest End cast Ian McIntosh as ‘Jean Valjean’, Sam Oladeinde as ‘Javert’, Harry Hepple as ‘Thénardier’, Lizzie Bea as ‘Madame Thénardier’, Thiago Phillip Felizardo as ‘Marius’, and Izzi Levine as ‘Cosette’, Jess Folley as ‘Éponine’ and Joe Griffiths-Brown as ‘Enjolras’. Martha Kirby will continue to play ‘Fantine’ from 25 May.

The company is completed by Hollie Aires, Hazel Baldwin, Ella May Carter, Nicholas Carter, Matthew Dale, Irfan Damani, Lily De-La-Haye, Lila Falce-Bass, Sophie-May Feek, Jessica Johns-Parsons, Seán Keany, Chris Kiely, Sam Kipling, Mia Lamb, Sarah Lark, Ollie Llewelyn-Williams, Matthew McConnell, Aaron-Jade Morgan, Adam Pearce, William Pennington, Jordan Simon Pollard, Lewis Renninson, Danielle Rose, Georgia Tapp, Noah Thallon, Imaan Victoria, Danny Whelan and Ollie Wray.

Boublil and Schönberg’s magnificent iconic score of Les Misérables with lyrics by Herbert Kretzmerincludes the classic songs, I Dreamed a Dream, On My Own, Stars, Bring Him Home, Do You Hear the People Sing?, One Day More, Empty Chairs at Empty Tables, Master Of The House and many more. Several of its songs have become real life anthems of revolution wherever in the world people are fighting for their freedom.

Les Misérables, which celebrated its record-breaking 40^th Birthday in the West End in October last year, has been seen by over 150 million people worldwide in 55 countries, 452 cities, and has been translated into 22 languages. It has won over 270 major awards around the world, among which 5 Olivier Awards (including a special recognition award in April 2025), 8 Tony Awards, 5 Helpmann Awards, and more recently Best West End Show at the 2026 WhatsOnStage Awards, with the movie wining 3 Oscars.

Following its critically acclaimed premiere in September 2024, Les Misérables: The Arena Concert Spectacular has been thrilling audiences around the globe, with The Times proclaiming, “Only Les Mis could generate an atmosphere between a rock concert and a football match”. With over 1 million tickets sold across 30 cities and counting, this spectacular production continues to break box office records.

Les Misérables is the longest running and indisputably one of the most popular musicals in the world.

LISTINGS : LES MISÉRABLES (LONDON)

Sondheim Theatre, Shaftesbury Avenue, London W1D 6BA
Now booking until March 2027
Prices: Tickets from £25 – No booking fee applies
Box Office: 0344 482 5151
Website: www.lesmis.com
Social Media:
www.facebook.com/lesmisofficial/
www.twitter.com/lesmisofficial
www.instagram.com/lesmizofficial
www.tiktok.com/@lesmisofficial
#LesMiz

LISTINGS: LES MISÉRABLES: THE ARENA CONCERT SPECTACULAR WORLD TOUR

worldtour.lesmis.com

FRIDAY 29 MAY – SATURDAY 6 JUNE 2026
3ARENA, DUBLIN

CASTING

Jean Valjean – Killian Donnelly and Gerónimo Rauch
Javert – Bradley Jaden and Jeremy Secomb
Thénardier – Matt Lucas (except Saturday 30 and Sunday 31 May)*
Madame Thénardier – Marina Prior (until 1 June) / Helen Walsh (from 3 June)
Fantine – Katie Hall
Marius – Jac Yarrow
Éponine – Shan Ako
Cosette – Beatrice Penny-Touré
Enjolras – Christian Mark Gibbs
*At these performances, the role of Thénardier will be played by Luke Kempner who has played the role in the West End production and most recently on the World Tour.

THURSDAY 11 – SUNDAY 14 JUNE 2026
UTILITA ARENA BIRMINGHAM

CASTING

Jean Valjean – Killian Donnelly and Gerónimo Rauch
Javert – Bradley Jaden and Jeremy Secomb
Thénardier – Matt Lucas
Madame Thénardier – Helen Walsh
Fantine – Samantha Barks
Marius – Jac Yarrow
Éponine – Shan Ako
Cosette – Beatrice Penny-Touré
Enjolras – Christian Mark Gibbs
 
THURSDAY 18 – SUNDAY 21 JUNE 2026
ROYAL ALBERT HALL, LONDON

CASTING

Jean Valjean – Alfie Boe, Killian Donnelly and Gerónimo Rauch
Javert – Bradley Jaden and Jeremy Secomb
Thénardier – Matt Lucas
Madame Thénardier – Marina Prior
Fantine – Samantha Barks
Marius – Jac Yarrow
Éponine – Shan Ako
Cosette – Beatrice Penny-Touré
Enjolras – Christian Mark Gibbs

THURSDAY 23 JULY – SUNDAY 9 AUGUST 2026
RADIO CITY MUSIC HALL, NEW YORK

CASTING

Jean Valjean – Alfie Boe, Killian Donnelly and Gerónimo Rauch
Javert – Bradley Jaden and Jeremy Secomb
Thénardier – Matt Lucas
Madame Thénardier – Marina Prior
Fantine – Samantha Barks
Marius – Jac Yarrow
Éponine – Shan Ako
Cosette – Beatrice Penny-Touré
Enjolras – Christian Mark Gibbs

AGATHA CHRISTIE’S ICONIC THRILLER

THE MOUSETRAP

WELCOMES A NEW CAST

WHO BEGIN PERFORMANCES

MONDAY 11 MAY 2026

Producer, Brian Fenty, is delighted to welcome a new cast to Agatha Christie’s iconic thrillerand the world’s longest running play, The Mousetrap. They begin performances on Monday 11 May 2026.

The new cast includes Saranna Parlone as Mollie Ralston, Ben Riddle as Giles Ralston, Stefan Chanyaem as Christopher Wren, Joanne Henry as Mrs Boyle, James Staddon as Major Metcalf, Anna Rawlings as Miss Casewell, Dugald Bruce-Lockhart as Mr Paravicini, and Ben Galvin as Detective Sgt. Trotter. Completing the cast are Nancy Doubledee, Bella Farr, Barnaby Jago, Richard Parnwell and Clive Marlowe.

Last year the play celebrated its 30,000^th performance in the West End and was presented with a Guinness World Records certificate for the record title longest theatrical run. The genre-defining murder mystery opened in 1952 and continues to enthral audiences at London’s St Martin’s Theatre, more than 73 years on. It is currently booking through to January 2027.

As news spreads of a murder in London, a group of seven strangers find themselves snowed in at Monkswell Manor, a remote countryside guesthouse. When a police sergeant arrives, the guests discover – to their horror – that a killer is in their midst. One by one, the suspicious characters reveal their sordid pasts. Which one is the murderer? Who will be their next victim?

The Mousetrap is produced by Brian Fenty and directed by Denise Silvey.

Listings Information

The Mousetrap

St Martin’s Theatre,

West St,

London WC2H 9NZ

Website:  www.themousetrap.com

Twitter:  @TheMousetrapOfficial

Facebook:  @TheMousetrapOfficial

Instagram:  @TheMousetrapOfficial

Ticket Prices from: £25

Current Booking Period: January 2027

Running Time:  2hrs 20mins

Performances:

Monday to Saturday at 7.30pm

Tuesday, Thursday & Saturday at 3.00pm.

Christmas 2026 West End Performance Schedule

Monday 14 December 2026 7.30pm

Tuesday 15 December 2026 3.00pm & 7.30pm

Wednesday 16 December 2026 7.30pm

Thursday 17 December 2026 3.00pm & 7.30pm

Friday 18 December 2026 3.00pm & 7.30pm

Saturday 19 December 2026 3.00pm & 7.30pm

Monday 21 December 2026 3.00pm & 7.30pm

Tuesday 22 December 2026 3.00pm & 7.30pm

Wednesday 23 December 2026 3.00pm & 7.30pm

Saturday 26 December 2026 3.00pm & 7.30pm

Monday 28 December 2026 3.00pm & 7.30pm

Tuesday 29 December 2026 3.00pm & 7.30pm

Wednesday 30 December 2026 3.00pm & 7.30pm

Friday 1 January 2027 7.30pm

Saturday 2 January 2027 3.00pm & 7.30pm

RITA, SUE & BOB TOO! ANNOUNCES A NEW NATIONWIDE TOUR IN 2027

Regal Entertainments Ltd presents the cult comedy classic at 11 venues across Britain

The acclaimed stage version of cult classic comedy Rita, Sue & Bob Too! is set to embark on a new nationwide tour in 2027

The Regal Entertainments Ltd production will visit 11 leading British venues between Friday 16 April and Sunday 4 July 2027.

The tour opens at St Helens Theatre Royal on Friday 16 April.

It will then travel to Harrogate, Northampton, Lincoln, Billingham, Birmingham, Bradford, Southport, Malvern and Stockport before ending at the Liverpool Olympia where it will play from 30 June to 4 July.

Tickets for all venues go on sale at 10am on Friday 24 April.

Casting is yet to be announced.

Andrea Dunbar’s hilarious and gritty tale of love, lust and tested friendships is based on the 1987 British film and features a brilliantly funny script along with all the best 80s music, taking audiences on a riotous trip down memory lane through this cult classic. 

Rita and Sue are two working class girls from a run-down council estate who are about to finish their final year at school. In their spare time, they earn money babysitting for married couple Bob and Michelle. 

Behind Michelle’s back, Bob embarks on an affair with both Rita and Sue, who take it in turns with him in his car in the countryside. Michelle eventually finds out and leaves lothario Bob. When Bob later develops a preference for Rita, the two girls fall out but when Sue ends up in an abusive relationship, the trio are reunited.

Rita, Sue & Bob Too! is brought to the stage by Regal Entertainments Ltd and directed by Chantelle Joseph.

When Regal Entertainments Ltd previously toured the smash hit comedy in spring 2025 it received praise from critics and standing ovations from audiences, selling out at venues across the country. Theatregoers described the show as “a fabulous story” and “very funny from start to finish”.

Director Chantelle Joseph said: “We had an amazing response from audiences when we took Rita, Sue and Bob Too! on tour last year – so I’m absolutely delighted to be able to announce we will be back on the road next spring and summer, visiting 11 venues up and down the country over the course of almost three months.

“Before it became a cult classic film, Andrea Dunbar’s raw and unflinching – and very funny – coming-of-age story was a hit play. It’s a wonderful piece of writing and a show you can watch again and again and still find yourself roaring with laughter. I can guarantee audiences from Birmingham to Billingham, and Malvern to Harrogate, a brilliant time.”

For more details on Rita, Sue and Bob Too! visit the tour website www.rsbtuktour.com

2027 SHOW LISTINGS FOR RITA, SUE AND BOB TOO! 

St Helens Theatre Royal

Friday 16 – Sunday 18 and Tuesday 20 – Saturday 24 April 2027

sthelenstheatreroyal.com | 01744 756000

Harrogate Theatre

Tuesday 27 April – Saturday 1 May 2027

harrogatetheatre.co.uk | 01423 502116

The Old Savoy, Northampton

Tuesday 4 – Saturday 8 May 2027

theoldsavoy.co.uk | 01604 491005

New Theatre Royal, Lincoln

Wednesday 12 – Saturday 15 May 2027

newtheatreroyallincoln.co.uk | 01522 519999

Forum Theatre, Billingham

Tuesday 18 – Saturday 22 May 2027

forumtheatrebillingham.co.uk | 01642 552663

Crescent Theatre, Birmingham

Monday 24 – Saturday 29 May 2027

crescent-theatre.co.uk | 0121 643 5858

St George’s Hall, Bradford

Wednesday 2 – Saturday 5 June 2027

bradford-theatres.co.uk | 01274 432000

The Atkinson, Southport

Wednesday 9 – Saturday 12 June 2027

theatkinson.co.uk | 01704 533333

Malvern Theatre

Tuesday 15 – Saturday 19 June 2027

malvern-theatres.co.uk | 01684 892277

Stockport Plaza

Tuesday 22 – Saturday 26 June 2027

stockportplaza.co.uk | 0161 477 7779

Liverpool Olympia

Wednesday 30 – Sunday 4 July 2027

liverpoololympia.co.uk | 0151 263 6633

I’M EVERY WOMAN – THE CHAKA KHAN MUSICAL

TO TRANSFER TO

TROUBADOUR WEMBLEY PARK THEATRE

FROM 22 JULY – 27 SEPTEMBER 2026

STARRING

ALEXANDRA BURKE

Producer Adrian Grant is delighted to announce that I’M EVERY WOMAN – THE CHAKA KHAN MUSICAL will transfer to Troubadour Wembley Park Theatre from 22 July – 27 September for a limited season starring multi-platinum recording artist and award-winning actress Alexandra Burke* (The X Factor, Sister Act, The Bodyguard, Curfew) as Chaka Khan. Press night will be on 4 August 2026.

Tickets on sale now here.

The musical made its premiere earlier this year with performances at Hackney Empire, Belgrade Theatre, Coventry and the Congress Theatre, Eastbourne.

Further casting for the production will be announced in due course.

Chaka Khan said “This musical is more than my story. It’s every woman’s story. It’s about finding your voice, owning your truth, and rising through everything life throws at you. I’m honored to see my journey brought to the stage with such heart, strength, and authenticity.”

I’M EVERY WOMAN – THE CHAKA KHAN MUSICAL is the powerful and inspiring life story of the award-winning, multi-platinum selling, global superstar herself.

The new musical reveals the woman behind the icon and charts her rise to stardom. It has a book by Nia T. Hill, direction by Racky Plews, music supervision by Mark Crossland, choreography by Ebony Clarke, casting by Debbie O’Brien, production management by Toby P Darvill, and general management by Emily Obasohan.

The fame, the fire, the fight – this is her story. I’m Every Woman brings to life the untold story of Chaka Khan, one of the most influential voices of our time. Unapologetically bold and deeply human, the production explores her unwavering passion for civil rights, her defiance in the face of a toxic music industry, the harrowing road through addiction, and the unrelenting pressure of being a working mother. At its core, it’s a story of resilience, purpose, and power – a celebration of the woman behind the legend.     

I’M EVERY WOMAN features Chaka Khan’s much-loved songs released as a solo artist and lead singer of the band ‘Rufus’ such as I Feel For You, Tell Me Something Good, Ain’t Nobody, Sweet Thing, Higher Love and Through the Fire. The show, which is a journey of music, love and betrayal has a book that includes an array of Chaka’s famous friends.

I’M EVERY WOMAN – THE CHAKA KHAN MUSICAL is produced by Adrian Grant Productions in association with Chaka Khan. Co-Producers include Tammy Michelle for Chaka Khan Enterprises, Nia T. Hill and Michael Derek Thomas for ODX Studios; Willette Murphy Klausner for WMK Productions. For Adrian Grant Productions: Emily Obasohan, Mahben Quddus and Dave Lumby.

Website: www.imeverywomanthemusical.com

Instagram: @imeverywomanthemusical

TikTok: @imeverywomanthemusical

Facebook: @imeverywomanthemusical

*Alexandra will not perform on 22, 23, 25 (matinee), 30 (evening) July, 1, 6 (evening), 8 (matinee), 13 (evening), 15 (matinee), 20 (evening), 22 (matinee), 27 (evening), 29 (matinee) August, 3 (evening), 5 (matinee), 10 (evening), 12 (matinee), 17 (evening), 19 (matinee), 24 (evening) and 26 (matinee) September

2026 LISTINGS INFORMATION

I’M EVERY WOMAN – THE CHAKA KHAN MUSICAL

Running time: 2 hours 20 minutes plus an interval

22 July – 27 September (preview performances 22 – 23 July)

Troubadour Wembley Park Theatre

3 Fulton Rd

Wembley Park

London HA9 0SP

Tickets on sale now
Website: ticketing.kxtickets.com/shop/tickets/series/IEWOMAN

HIGH SCHOOL MUSICAL MOVIE LEGEND

KAYCEE STROH

JOINS JASON DONOVAN

ON STAGE IN

DISNEY’S HIGH SCHOOL MUSICAL

AT LOWRY, SALFORD

OPENING 22 AUGUST 2026

Hope Mill Theatre and Chris Harper Productions with Lowry are delighted to announce that KayCee Stroh, who played Martha Cox in the High School Musical movie franchise, will star in Disney’s HIGH SCHOOL MUSICAL as Ms Darbus. She joins Jason Donovan, Tobias Turley, Leonor Correia, Caitlin Tipping and Luke Bayer as Coach Bolton, Troy, Gabriella, Sharpay and Ryan respectively. Further casting to be revealed in due course.

Celebrating the 20th anniversary of the iconic movie, Lowry, Salford, will open the first UK non-replica production on 22 August 2026, and will now run until Saturday 19 September 2026.

Tickets on sale now.

KayCee Stroh is an internationally recognised performer and dynamic triple threat, best known for her role as Martha Cox in Disney’s global phenomenon, the High School Musical trilogy. With a career spanning film, television, and stage, she has recently returned to her theatrical roots as Potiphar’s Wife in Joseph and the Amazing Technicolor Dreamcoat. Trained in dance and musical theatre, KayCee brings a genuine passion for connection to every role she plays. She continues to inspire audiences around the world—on screen, on stage and through online content that feels genuine and engaging.

On joining the production KayCee said “Revisiting the world of High School Musical in this new chapter feels like a genuine full-circle moment for me. From originating Martha Cox to now stepping into the equally iconic role of Ms. Darbus, it’s both an honour and a joy to be part of the story in a whole new way.  Performing in the UK has long been a dream of mine, and to do so with a story that holds such deep meaning makes it even more special. Ultimately, I chose to take on this role for the fans, whose unwavering support, love, and shared nostalgia have made High School Musical so special!”

The Lyric Theatre at Lowry will transform into an immersive basketball court, with on-stage seating and an extended stage, bringing audiences into the world of East High. Featuring classic songs such as: Breaking Free, We’re All In This Together, Get’cha Head in the Game, Stick to the Status Quo and many more.

HIGH SCHOOL MUSICAL has a book by David Simpatico with music adapted, arranged and produced by Bryan Louiselle and will be co-directed by Hope Mill founders Joseph Houston and William Whelton.

Based on the hit Disney Channel Original movie, that inspired a generation, HIGH SCHOOL MUSICAL had its world premiere production at Stagedoor Manor Summer Theatre Camp in 2006. It then went to The Theatre of Stars in Atlanta, Georgia for its first professional staging before Disney Theatrical Group staged a national tour in 2007. The musical has enjoyed significant success in regional theatres around the world and had its London premiere at the Hammersmith Apollo Theatre in January 2008.

HIGH SCHOOL MUSICAL will be co-directed by Joseph Houston & William Whelton with choreography by Aaron Renfree, set design by Andrew Exeter, sound design by Matt Peploe, video design by George Reeve,lighting design by Rory Beaton, costume design by Sophia Pardon, musical supervision by Katy Richardson, musical direction by Audra Cramer, casting by Pearson Casting and production management by Ammonite Studios. General management by Chris Harper Productions.

HIGH SCHOOL MUSICAL is produced by Hope Mill Theatre, Chris Harper Productions with Lowry.

Website:  thelowry.com

Instagram: @highschoolmusicalonstage

*Jason will do performances up until Friday 18 September

LISTINGS INFORMATION

22 August 2026 – 19 September 2026

Lowry

Pier 8, The Quays

Salford

M50 3AZ

Performances:

22 August – 6 September: Wednesday – Sunday 2pm & 7pm

Please note there will be an additional performance on Tuesday 25 August at 7pm. There will be no 7pm performance on Sunday 23 August and no 2pm performance on Friday 28 August.

8 – 19 September: Tuesday – Saturday 7pm, Saturday – Sunday 2pm

Please note there will be matinees on Wednesday 9 September & Thursday 17 September at 2pm

Tickets from: from £26

Box Office: 0161 876 2000

AN AUDIENCE WITH DANNY BEARD

DRAG RACE UK WINNER AND TV SENSATION DANNY BEARD COMES TO THE ALBERT HALL, MANCHESTER, FOR ONE NIGHT ONLY. TICKETS ON GENERAL SALE NOW.

General sale tickets are now on sale for An Audience with Danny Beard at the Albert Hall, Manchester, on Friday 18th September 2026. Danny Beard joins forces with the English Musical Theatre Orchestra for a spectacular one-night celebration of Broadway and West End classics.

Fresh from a string of landmark television appearances, including winning RuPaul’s Drag Race UK, competing on Britain’s Got Talent and captivating the nation in Celebrity Big Brother. Danny Beard brings their trademark powerhouse vocals, razor-sharp wit and irrepressible stage presence to one of Manchester’s most beloved venues for an unforgettable evening of live performance.

Danny will be joined on stage by the English Musical Theatre Orchestra, a 25 piece ensemble of exceptional musicians fresh from their acclaimed UK Tour of Some Enchanted Evening. Together, they will perform a dazzling programme of songs from Broadway and London’s West End, drawing on beloved classics from The Rocky Horror Picture Show, The Little Mermaid, Rent and many more.

An evening with Danny Beard is like no other. Theirs is a show built on the belief that live performance should move you, thrill you and leave you breathless. And with a full orchestra behind them, this promises to be a night to remember.

“I’m so excited to be singing some of my fave songs with the EMTO this September, we’ve got a killer show planned, big laughs and even bigger show tunes! Don’t worry if you’re a pop girly, me and the incredible 25 musicians got you covered too! See you all on the 18th September in the iconic Albert hall Manchester!” Danny Beard 

Danny Beard is one of the UK’s most celebrated drag talents. After honing their craft on the cabaret and club circuit and competing in Karaoke Club: Drag Edition, Danny entered and won the fourth series of RuPaul’s Drag Race UK, making history as the first ever bearded queen to be crowned in a RuPaul judged franchise.

In 2025, Danny entered the Celebrity Big Brother house outside of drag, and their warmth, openness and quick wit resonated with viewers across the country, earning them a second-place finish and a whole new fanbase.

Since their coronation, Danny has hosted their own BBC Three aftershow for Drag Race UK, appeared on Hollyoaks and The Traitors Uncloaked, and co-hosted The Gossip Gays podcast and fronted their own show on BBC Radio 1. They have also shared the stage with Graham Norton at London’s O₂ Arena.

On stage, Danny is a force of nature. Their acclaimed show Straight Expectations played to packed houses across the UK and earned multiple five-star reviews at the Edinburgh Fringe Festival. An Audience with Danny Beard promises all of that and more, scaled up, live, and with a full 25-piece orchestra at their back.

Tickets start from £32.50 (Stalls – Standing) and £35.00 (Circle – Seated) and are available now at alberthallmanchester.co.uk.

An Audience with Danny Beard is produced by EMTO Productions Ltd. in association with Posterity Ltd. & John Noel Management, and is sponsored by Jones & Co. Ltd.